On Tea and Smaller Things

The New Year’s festivities have thrown me through a daze. Sleeping through sunrise, and waking at dusk; in the days following the first of January, the concept of “days” melted into obscurity, rendering my time a stream of unkempt sleep cycles. It was during sunrise, unbeknownst to me on the fourth day of this year when I found myself transfixed. Not with anything in particular, but an action. The action of reaching to my side, retrieving my phone, and turning it on. I found it more than perplexing how such simple of an action could infect the slow, thoughtful pace of that leisurely morning. Every glance, every activation of the device powering a small shift in my mind, one nearly imperceptible to those not lending it a second thought.

It was here that I felt something emerge deep inside, welling up, wrapping itself around my thoughts, and burning through my trunk. Hunger. However, amidst the throes I am all too familiar with in requiting my hunger, I elected to leave my phone behind, to see if I was capable of staving off that habitual urge. And upon this, for nearly the first time, I found myself enjoying the experience of cooking. No more was preparing a meal a dreadful sprint to a lackluster conclusion, but rather a joy, an adventure. The aroma consumed me, and I began to notice even the smallest changes in my medium. The rate at which bubbles would emerge from the simmering pot, the slow expansion of the yellowed Cavatappi deep below the water’s surface. And most of all, the aroma. Without my attachment to the distilled stimulation available through my device, I was allowed the space in my mind to immerse myself in the aromas of the kitchen.

Aromas. Tea. There was little in the way of drinks available at this hour on this day, and through my inquiry, I stumbled upon the array of teas stored in our pantry door. Teas I had never before given much thought to. Why would I? Tea is subtle and innocuous. Why would I, someone so engulfed in the search for more, the hunger for knowledge, waste my precious time brewing water for a drink with little to nothing to offer me beyond a light aroma of dirt? However, with few options aside, I submitted and retrieved a box for my use. Chamomile, with honey. I used far too much water for a single teabag; I was uneducated. Nonetheless, I watched as the fervent water brought forth color from the bag of leaves. As a front of dark, infused water migrated slowly throughout the cup, becoming turbulent, before dispersing, diluting color into the brew.

After what felt like an eternity, I returned to the lounge and checked the time. Usually, cooking while perusing the internet on my phone necessitates no less than fifteen or twenty minutes, and after what felt like an assuredly longer time, I dreaded to see what hour it had become in my absence. 8:23. Eleven minutes. As steam continued to unfurl itself from the dishes in front of me, this concept began to set in. Had time slowed down? Why had I been able to experience so much, to think to such a complex degree, in such a short time? As I began to sip from the cup before me, my ideas took shape.

Time, Tea. Tea is complex. It is bitter at times, and sweet at times. There are nearly millions of teas available in the world. However, many see tea as boring. Water and a less-than flavor. Not as strong as the drinks you find in stores, and not as sweet as what you will find at a cafe. More or less, much of the new world has left tea behind. Yes, there are incarnations of tea that you may find at a Taiwanese store most prominently in California. However, there is a distinction to be found in the degree of sweetener added. The world does not want you to have tea. And many of us have become too accustomed to this reality to see any allure in tea. However, in tea, there is to be found a complexity far more fulfilling and lasting than the sum of all popularized drinks. Setting aside the stimulatory, the powerful, and saccharine flavors of the drinks that we are used to, it is possible to truly see the beauty in something like tea. Tea does not jump at you, but rather, it requires you to find flavor within it. To search through its waters, exploring every wisp of earth and plant and life. Tea is not quick. Tea requires patience. Tea requires focus and attention. And in tea can be found a rich variety of flavors. In tea is the life and will of all of which has given that plant life, and all of the personality which those leaves inhabited. I think I’m going to drink more tea.

Currently, my favorite is Assam, eight ounces brewed, with a spoon of cane sugar and fifty milliliters of milk.

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Plastic Pyrolysis

I’m working on a pretty big life-philosophy-society type post right now, but I’ve been too busy to sit down and think, and too left-brained to generate effective rhetoric, so let’s talk about something a bit easier literary-wise. Anyone who knows me personally well enough that they know what I intend to major in my studies will know that I’m a pretty big science geek. And as a product of this, science and STEM have found a way to worm themselves into my projects from time to time. The most significant of these science-affected projects is my largest pet project, the Plastic Pyrolysis plant.

Those brave few with experience with the topic are likely foaming at the mouth right now, but I’ll give a short summary for those less chemically inclined. Plastic Pyrolysis functions on the principle that plastic is made out of oil, and as such can be made back into oil. However, anybody who’s ever lit plastic on fire before will know that it isn’t that simple. By introducing a closed environment and a lack of oxygen, plastic heated between 400 and 800 degrees Celsius will vaporize, instead of combust or melt. This “Plastic Vapor” is a rich mixture of various chain-length hydrocarbons, which can be condensed using a cooling system into energy-rich gases, and crude oil.

Practical applications of hydrocarbon fractions in crude oil obtained via pyrolysis

Why is this cool? This process turns discarded waste plastic into usable hydrocarbon-based chemicals. In simple terms, pyrolysis turns landfills into gasoline, diesel, propane, and all the other fossil fuels we wage wars with other countries to obtain. While objectively, it is not and never will be fully energy efficient, it is an amicable solution for reusing waste and a far better solution than anything currently available. And, even at the small scale I plan to apply it, it is still a fun and important proof of concept.

©2025 Ian Frost

So what’s my take on it? Pictured above is a detailed diagram of my preliminary design for a first-stage plastic pyrolysis plant. This design uses a carburated butane burner to heat an insulated vertical-outlet crucible, applying a Countercurrent Liebig Condenser to handle the condensation process, and a fume burner to expel unwanted gases. Using the gas-forming reaction of Hydrochloric Acid and Bicarbonate to produce the excess CO2 needed to flush the combustion chamber, this design is the greatest balance of cost efficacy and production efficiency possible. The double-walled insulation chamber is useful for minimizing heat loss, along with maintaining high temperatures enough to ignite all available fuel, maximizing fuel efficiency.

However, while this design is a cost-effective first-stage solution, it is far from the intended final design. Second-stage plans include utilizing a gas compressor to route the hydrocarbon-rich gas into the combustion burner, drastically improving energy utilization and minimizing energy loss. While it seems far-fetched, I believe with the right tools and funding at my disposal, this project is completely attainable, and plan to work towards its fruition in the near future.

Thanks for hearing out my odd dreams of crude oil production. And who knows, maybe this little project could be a push in the right direction for the future of sustainability amongst a trash-filled earth.

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This Website

What is this website? How do I have my own website? Isn’t this expensive? Why do I have my own website? This article will more or less explain those and many other questions you may have. However, this will be the more technical, jargon-plagued version of that explanation. For the philosophical justification, I’ll likely write about that in the future, so stay tuned.

So what is this site? About 4 years ago, I watched a video on YouTube of a man using a palm-sized computer to run his own game console in a Mentos tin, compatible with any handheld game on earth. In my excitement and haste for a new project to consume my time over quarantine, I asked my mom to get the computer for me at the store the following day, a Raspberry Pi 3b. After learning what soldering is, and finding out that constructing a handheld console from scratch requires more than just a tin and a computer, my dreams were all but crushed. Youthful me did not have the patience or materials to complete any of the results for “what to do with my raspberry pi 3?”

Fast-forward to November of this year. Sitting in my room alone on a call with my friend, he pitches me his idea of running an AI assistant locally on a handheld computer. Immediately I recall my ownership of just that, which had been lying dormant in my bedside drawer for the better part of the last 4 years. Upon realizing this, I immediately began searching for all available projects with such an outdated device. Due to budget concerns, the universally recommended “touchscreen mirror” and “miniature robot” were more or less out of the window. However, this led me to research the server capabilities of the Pi. Nextcloud was more or less unnecessary due to the existence of Google Drive, and a media server would serve me no better purpose than my single, streaming-service-equipped smart TV already had. Out of better options, I discovered that using the wireless capabilities of the Pi 3b, and the generally low computing requirement, it was possible to run a web server off of my device.

Using my prior experience managing WordPress sites, I undertook the goal of creating a personal website that would run publicly under a real “.com” domain name—a feat I had previously only thought capable of businesses and larger organizations or those with the money to pay for hosting. Using various web tutorials and ChatGPT as my personal troubleshooter, I set up a modified LAMP server (technically LNMP would be the proper term) and installed the latest version of WordPress onto my device.

My Pi in its original form, bound to lay on a sheet of static shielding plastic.

Initially, the hardest part of setting up the web server was moving from visual file interfaces like Windows File Explorer to the text-bound Powershell/SSH interface. However, with the help of a wide library of resources on the topic, it was a breeze to set up Nginx and use MariaDB to manage a local MySQL database.

For the first couple of weeks, it was smooth sailing, as I used the Pi’s local IP to connect and manage this site’s primordial form. Building this site’s theme, arranging plugins and CSS, and writing the first couple of articles were generally some of the most rewarding experiences I’ve had during my many projects throughout the years. It was a nearly parental experience, seeing a little board maybe 5 inches long running something as fantastical and grand as a standalone, locally hosted website, all for the $30 pricetag of the Pi alone. My enthusiasm, to my great pleasure, was met with nothing but support from those around me, who gave me the confidence and drive to continue this project and bring it to what it is now.

Out of that support, for Christmas, my parents were graceful enough to purchase a small case for my Pi to manage all of my thermal concerns, and give me a small stipend to rent a domain for my site for its first year. However, moving the site from local to public was a far greater task than any I had met in my time with my Pi. Managing Xfinity’s abhorrent “Net Security” and faulty port forwarding, and troubleshooting CertBot to generate a working SSL certificate to allow my domain to correctly redirect captured most of my Christmas day in Powershell hell. But at exactly 10:48 PM on December 25th, 2024, sickofmeaning.com successfully delivered its homepage to a non-local IP. And now you’re reading this, probably not connected to my home network. Funny how things work out, huh?

Raspberry Pi 3B

My Pi as of the launch of sickofmeaning.com

Above is a picture of my Pi in his brand new case, chugging away and running this site for all of you. Cute, right? And if you’ve read this far, his name is Icebox, and he’s what the right sidebar text is referring to. I’ll let you figure out why he’s called Icebox.

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My iPod

So as you have probably noticed by now, I’m a fan of late 90s-early 2000s electronics and physical media. The website you’re reading this on right now is more or less styled to mimic later 2000s-era personal blogs. So, in the pursuit of turning as much as I can millennium-era, I mostly listen to music from my iPod. Over my junior year summer, I was lucky enough to be given a release-era 2007 iPod touch 8 GB, which has been my daily driver ever since.

I find that using the iPod has a couple of advantages over the average Airpods/Spotify combo that is ever so common nowadays. It forces me to use wired earbuds, which keep me better connected to what’s going on around me, as I can’t just flip on noise canceling, and have to take the conscious action of removing an earbud to engage in conversation. Further, the way the iPod’s music library is structured, being download-based and organized by artist and album, discourages the random dopamine-based listening that’s been normalized by streaming platforms. Much like my record player, it pushes me to listen to entire albums instead of cherry-picking the most popular songs from each artist. I feel that this helps me better understand what each album means, and feel what the artist intended with the sound that the album exudes. Plus, the battery will last me around a week or so of listening, I can hook up the 3.5mm port to my Hi-Fi setup, and using wired headphones gives me a little extra accessorization to my outfits.

Currently, I’ve got the iPod’s 2007 audio outputs cranked to their limits, running 320kbps MP3 audio, which is barely necessary when compared to how the output sounds. However, I generally enjoy the slightly muddier cranked mids that the built-in EQ supplies, as it brings out the synths and guitar of a lot of my older choices.

Now and then I update my library with new albums I’ve been recently invested in. As of right now, my library consists of the following favorites.

  • The Backseat Lovers: When We Were Friends
  • Basement: Colourmeinkindness
  • Beabadoobee: Beatopia
  • Burial Etiquette: Mis Suenos Son De Tu Adios Split, A Tale of Two Cities
  • Car Seat Headrest: Teens of Denial, Twin Fantasy
  • Childish Gambino: Camp“Awaken, My Love!”
  • The Cure: Staring At The Sea
  • Deftones: Around the Fur, Diamond Eyes, Koi No Yokan
  • Duster: Stratosphere
  • Fleshwater: We’re Not Here to Be Loved
  • Frank Ocean: Nostalgia/Ultra, channel ORANGE, BlondeSlide
  • IVE: After LIKE
  • Jeff Buckley: Grace
  • Julie: starjump / kitpushing daisiespg.4 a picture of three hedges, flutter
  • Kanye West: The Life Of Pablo
  • Ken Carson: A Great Chaos
  • KISS OF LIFE: KISS OF LIFEMidas Touch
  • Laufey: Everything I Know About LoveA Very Laufey Holiday
  • Loathe: I Let It in and It Took Everything
  • LSD and the Search for God: LSD and the Search for God
  • MGMT: Oracular Spectacular
  • NewJeans: Ditto, Newjeans 2nd EP ‘Get Up’
  • Panchiko: D>E>A>T>H>M>E>T>A>L
  • Radiohead: The BendsOK ComputerIn Rainbows
  • Rex Orange County: Apricot Princess
  • Slowdive: Souvlaki
  • The Smashing Pumpkins: Siamese Dream
  • The Smiths: Hatful of Hollow
  • Steve Lacy: Gemini Rights
  • The Strokes: The New Abnormal
  • Thirty Seconds to Mars: A Beautiful Lie
  • wave to earth: summer flows 0.02
  • Weezer: Weezer (The Blue Album)
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Last Christmas at Home

This is my first sort of life post like this, so chances are this will be a little awkward. Stylistically speaking.

I’m fresh off of three essays and a free period, and heading into winter break on a disappointing start. It’s not the same leaving campus accompanied by ten or twelve other free-period students who have elected not to hang around and watch their friends take their exams. Walking to my dirty 2003 Mazda the next few weeks wrapped itself around me, that this is my last Christmas at home.

Sure it’s not actually my last Christmas here. When you’re living on campus you’re kicked out during summer and winter break, so I’m more or less forced to spend at least another one here. But really, I’m not going to be here. Not all of me. I’ll still have my life down south to think about. Next semester’s classes. My thesis. My dissertation. Eventually, I’ll have my apartment to think about, and my new home. Sure I’ll return here as often as possible, but it won’t be my home anymore. Much like how wherever I end up won’t be my home. I will start a family in my new home, watch my children grow and learn, their features shaping into adulthood, they’ll have their mother’s eyes. And although it will be their home, and the one that I will watch myself grow old and tired in, it will never be my real home. I will not have grown up in this home, its walls will never meet the glance of my young eyes, never feel the touch of that first layer of cells a child is born in.

Much like the former skin of a freshly molted serpent, in leaving home I forsake my right to it. It will never be mine again. Outwardly, it will forever appear as though it is my home. It will continue as the same building, and my room will continue as my room until it is nothing but rubble. But never will it cling to me, I will never allow it to swallow me whole.

I find it a melancholy thought to run across my mind as I sit, still recounting what I had done wrong in my commentary of Toni Morrison’s Song of Solomon hours prior. I begin to wonder if my father views this home the same way. I wonder if he remembers, at his age, the path from his bedroom to the entrance of his home. I have no doubt he does. I have no doubt I will either, nor my sister. Though his home has likely seen the faces of hundreds of others in the forty years since his departure, I doubt it has forgotten his. It is a shame that against his best wishes, he will never find the space in his mind to reciprocate this fondness. I will miss this home.

I think I’m going to pick up reading again.

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Why “Look Back” is a tragic and inspiring animated masterpiece

Special thanks to Encinal Echo News for hosting this article first.

Fire Punch, Goodbye, Eri, and the critically acclaimed Chainsaw Man series. Having seen and read all of these stories, I was no stranger to the works of Tatsuki Fujimoto going into the premiere of Look Back. And, knowing the nature and emotional turmoil associated with his works, I approached the theater with a deal of hesitation. However, no amount of hesitation could have prepared me for the amount this movie would move me.

Look Back, directed by Kiyotaka Oshiyama, is a shot-for-shot animated adaptation of Tatsuki Fujimoto’s manga by the same name. Initially published in 2021, Look Back was released as one of Fujimoto’s “one-shot” stories, a single-volume story released all at once, much like a traditional novel. Inspired by his life as an artist, the narrative follows the life of elementary school artist and local “popular girl” Fujino (Yuumi Kawai), as her life intertwines with her artist rival Kyomoto (Mizuki Yoshida), a truant shut-in student who produces art much better than Fujino. Through observing their relationship, the story beautifully explores themes of maturity, nostalgia, and the feeling of “What If?” in a tragic, gut-wrenching, and inspiring tale of friendship and art.

Studio Duran

Beginning the story in the fourth grade, Ayumu Fujino is one of the most popular girls in school. She is a budding manga artist, and the only one with enough skill to score both comic strips in her school’s weekly newspaper. However, this quickly turns on her after a new student, Kyomoto, transfers into her school, and begins submitting art to the school’s paper in competition with hers. However Kyomoto is a shut-in, and nobody at school, not even her teachers, had seen her. In pursuit of their competition, Fujino encounters the miraculous opportunity to meet Kyomoto at her home. And what initially seems to be a task saturated with bad blood, turns into a beautiful friendship between the two, as the story’s timeline picks up pace, and we see the extent of their lives together.

All in all, Look Back truly shines its brightest in its animation. The movie spares no expense to ensure it appears as drawn and as animated as possible. Hash lines, rudimentary shading, and prominent pencil strokes are all included intentionally. In doing this, Look Back excels in showing, not telling, its emotions and themes with beautiful illustrations, rather than drawn-out monologues. Backdrops are gorgeously inked and colored, and character expressions are simple yet astonishingly expressive. As is common in Fujimoto’s other works, the way in which characters are portrayed throughout the story is uniquely human. Every character is filled with conflict, reservations, and all of the other strange quirks that everyday people hold. I felt that this let me connect with the characters on a much deeper level, making each development and emotional swell feel all the more real.

Further, Look Back does not pull any of its punches when it comes to themes and plot. The story is introduced and initially plays out as greatly inspiring and heartwarming, as it builds to the climax of the first part. The hours spent practicing their drawing skills, the small trips Fujino and Kyomoto take to the city and around the countryside, and personally one of the most beautiful scenes I have witnessed in animation, Fujino’s triumphant run home through the rain. All of these scenes, many lacking dialogue, utilize art and exposition to accurately characterize not only the characters themselves, but their relationship, and the contrast between them that culminates in the climax of the story’s first part. However, barring any major spoilers, as the story’s first part comes to a close, we are shown the truly tragic nature of Look Back, and we begin to see the other themes creep into frame. The directions that Fujino and Kyomoto take following high school and their climactic conversations are riddled with heartbreak, as the story begins to tackle themes of maturity and ask “What happens when life gets in the way?”

Studio Duran

Finally, as the film moves into its second part, the audience is shown the true meaning of the movie’s title, as Fujino explores the many “What Ifs” of her life. This sequence and its resolution were honestly the most devastating part of the movie, as it shows the most human and relatable aspects of the characters. Throughout these scenes, I found myself asking myself many of the same questions that Fujino did. The way these thoughts are portrayed, the alternate storylines, and the inevitable end of her scenarios bring the story to a sorrowful conclusion, as the movie asks its final question, “Why do you draw?”

There was not one moment during the movie where I had felt disengaged. The pacing is impeccable, and the right amount of emphasis is placed on each part of the story. Although watching through a well of tears at times, I found that I could not take my eyes off of the screen. Though originally written and voiced in Japanese, I feel that no details have been lost in translation. Still, I greatly recommend the original Japanese voices with subtitles over the English dub, as both the acting and emotions are far stronger. No matter how you watch Look Back, it will always be one of the most beautiful and inspiring movies I have ever seen. With a 100% critic score and 99% audience score on rotten tomatoes, my opinion is not a rare one. Currently, the movie is in some theaters, and exclusively available to stream on Amazon Prime. Finally, to end with a quote from Fujimoto himself: “For those watching on Prime Video, it’s an incredible animation, so please try to watch it on as large a screen as possible! Thank you!”

10/10

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Mock Auto Manufacturer

This is a little business plan project I wrote/designed in my junior year for a car brand I dreamed up. I used a combination of Automation and Beam.NG to create fully machined and 1:1 realistic engines and 3D-modeled vehicle chassis. Attached below is a trailer I made using the models in Beam.NG.

Below this is a little gallery of the vehicle lineup I created.

The first two are 4WD Rally racers based on the obvious inspiration, the Lancia Delta HF Integrale. The first one, the GA turbo is intended as a to-spec WRC rally vehicle, with the entire chassis and engine following 2025 specs. The GB turbo is the unrestricted, no-holds-barred version, which is meant to mimic the Group B class of the era in which Lancia competed. The GB doesn’t only feature bolstered internals though, as the exterior styling is also modified for extra downforce and lower weight.

The next three are more of a supercar-hypercar platform geared towards car and racing enthusiasts. They all sport early 2000s Lotus-inspired styling and V10 engines. Why V10? Because nobody makes them, and they’re the best-sounding engine out there. I have a lot less to say about the design behind the base model, although I love the double vertical headlight arrangement. This car feels to me like the lovechild of the Lotus Elise GT1 and the Mercedes-Benz CLK GTR. The first model, the Gladiator RS, is meant to be more consumer-friendly, while the RSC is supposed to be a collector’s item, as it’s just an RS with a full carbon body. 

My favorite by far though is definitely the RS EVO. I still get chills just talking about it. Deeper side vents for the rear brakes, huge wing, jacked-up side and hood vents for increased airflow to the mid-mounted engine, huge hood pass-throughs for metric tons of front downforce, and a twin-turbo freak of an engine; but I’ll talk about that in a sec. This car was definitely the hardest to make. I’ve probably spent the better part of 5 hours fine-tuning the turbo timing, weight distribution, and suspension on this thing. Honestly, my biggest breakthrough was switching to an Active AWD drivetrain to counteract the wicked oversteer this thing gets past 100. This thing is a monster and I wish I could port from Beam.NG into Assetto because I’d love to take this thing around the ring. 

 

Above are the four engines I designed for the cars featured. The RSC has the same engine as the base RS (anything else and it would probably take flight), so there wasn’t a need for a fifth. In order they are: RCF4-TP, RCF4-TGB, ML10-NA, ML10-TT. RCF4 stands for Rally Chassis Flat 4, as they are flat 4-cylinder engines, TP means Turbo Pegasus, after the model it is intended for, and TGB means Turbo Group B, as it is the unrestricted Group B variant found in the GB. ML10 stands for Main Line 10 Cylinder, as they are the main cars I had been putting effort into developing, and NA and TT are just Naturally Aspirated and Twin Turbo. 

The RCF4 platform was a fun little starter project to warm up for the ML engines. They’re made of heavyweight Aluminum-Silicone composite with an 84.0 mm bore and 79.2 mm stroke, and a 16v DOHC valvetrain on an Aluminum head. Internals are fully forged with a 9.0:1 compression on the TGB, and an 11.0:1 compression on the TP to account for the lower pressure internals. Both feature all-cylinder VVT and boost control on a variable geometry single turbo, capped at 10.88 psi for the TP, and 16.68 psi for the TGB. Dimensions are 78.5 mm on the exducer and 57.0 mm on the inducer for the TP, and 77.5 mm by 56.3 mm for the exducer and inducer on the TGB. Both are direct-injected and tuned for 91 octane with an 8300 rpm redline. Beyond that, the only other difference between the two is the track-only exhaust configuration, with high-flow cats present on the TGB, while the TP conforms to EPA regulations. If you know anything about engines, you’ll be able to tell that I used some odd means to down-tune the TP to fit regulations. I have a habit of accidentally making my engines too fast and having to cut down speeds without compromising on things like turbo size and fuel mixture. Both of them also sport a slight bump in heat of the turbo compressor after 7000 rpm, but it’s nothing to be worried about, as it’s to be expected from a single turbo running at full boost. Regardless, the TP and TGB still pull 379.9 and 533.7 horsepower respectively at 8300 rpm, and 369.8/475.3 nm of torque at their peak torque values. 

The ML10 was where I felt like my creativity could really pull through, as I spent most of my time on the two of the family. For the ML10, I opted to use a lighter Aluminum-Silicon composite mixture to save on weight for the base model. It has an 82.5 mm bore and 92.8 mm stroke in a 90-degree V configuration, and the Aluminum-Silicone head sports a 40v DOHC valvetrain. Both have forged internals with balancing shafts and quad cam VVT. First looking at the naturally aspirated variant, it runs an 11.5:1 compression ratio with sport cams and semi-stiff springs. It’s capped at 8700 rpm and is tuned for 91 octane on a direct-injected system. All of this comes together to produce exactly 750.0 horsepower at redline and 681.3 nm of torque at 6600 rpm. Unlike the TT variant, the NA is packaged with an EPA-compliant three-way cat system with a muffler.

The ML10-TT is a completely different beast. For the twin-turbo version of the ML10, the forged crank and conrods are replaced with a billet steel crankshaft and hardened titanium conrods to withstand the higher pressures from the turbo’s increased psi. Compression is dropped 10.5:1 to account for turbo compression difference, and the redline is jacked up to a screaming 9000 rpm. However, the TT shines brightest in its namesake, its twin-turbo system. I opted for a variable geometry system with electronically controlled smart boost modulation to even out the horsepower curve. The turbos themselves are massive, with 105.0 mm on the exducer, and 103.4 on the inducer. The ECU is factory-limited to cap the turbos at 9.48 psi of boost, and the entire system is tuned for 93-octane racing fuel. Also, it’s fully open headers minus necessary cats. Because of all of this, it runs at almost double the horsepower, developing 1,247.9 hp at redline, and 1,074.3 nm of torque at 7900 rpm. 

I had way too much fun making these, and I’ll probably make more down the line when I find enough free time and interest. Below is a little photoshoot of some of the cars, and below that is the business-focused written assignment associated with this project. It’s just this post but with less engineering jargon and more business jargon. It’s also around 40 pages with somewhere in the ballpark of a 5 figure word count, so it’s definitely not a necessary read. 

 

Comprehensive Business Plan - Deorum Automotive
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Could an EV Future by 2030 be a Shot in the Wrong Direction?

This is a short 8-page research paper I wrote during my junior year on the viability (or lack thereof) of banning the use of internal combustion engines by 2030 or similar dates, and on the climate crisis overall. It’s fully cited and in MLA 9 formatting. Props to Mr. McNulty, as he is likely the only reason I can write with the passion I’m writing this with now.

Ian Frost - Controversial American Research Paper

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